Journalist, film-maker and author, John Pilger is one of two to win British journalism’s highest award twice. For his documentary films, he has won an Emmy and a British Academy Award, a BAFTA. Among numerous other awards, he has won a Royal Television Society Best Documentary Award. His epic 1979 Cambodia Year Zero is ranked by the British Film Institute as one of the ten most important documentaries of the 20th century.
Newspapers and other media in the United States, Britain and Australia have recently declared a passion for freedom of speech, especially their right to publish freely. They are worried by the “Assange effect”.
It is as if the struggle of truth-tellers like Julian Assange and Chelsea Manning is now a warning to them: that the thugs who dragged Assange out of the Ecuadorian embassy in April may one day come for them.
A common refrain was echoed by the Guardian last week. The extradition of Assange, said the paper, “is not a question of how wise Mr. Assange is, still less how likable. It’s not about his character, nor his judgement. It’s a matter of press freedom and the public’s right to know.”
What the Guardian is trying to do is separate Assange from his landmark achievements, which have both profited the Guardian and exposed its own vulnerability, along with its propensity to suck up to rapacious power and smear those who reveal its double standards.
|Nathalee Cadone-Hastr siembre|
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